As with Drunken Angel and High and Low, Kurosawa choose to break Ikiru in half. Like many other Kurosawa films, the discussion here is between real and illusion. In the first half, we see what is real- our hero’s reactions to his approaching death. The second half is illusion- the reactions of others, their excuses and their rejections. Perhaps for this very reason, the camerawork in the first half and that in the second half is different. Continue reading
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